VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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VELAZQUEZ, Diego Rodriguez de Silva y  oil painting




Painting ID::  54758
VELAZQUEZ, Diego Rodriguez de Silva y

   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y The boy oil painting


The boy
mk237 1636-1644 Oil on canvas 107.5x83.5cm
Painting ID::  54759
VELAZQUEZ, Diego Rodriguez de Silva y
The boy
mk237 1636-1644 Oil on canvas 107.5x83.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Man oil painting


Man
mk237 1644 Oil on canvas 106.5x81.5cm
Painting ID::  54760
VELAZQUEZ, Diego Rodriguez de Silva y
Man
mk237 1644 Oil on canvas 106.5x81.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Zhulodi oil painting


Zhulodi
mk237 1644 Oil on canvas 107x82cm
Painting ID::  54761
VELAZQUEZ, Diego Rodriguez de Silva y
Zhulodi
mk237 1644 Oil on canvas 107x82cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Abaka oil painting


Abaka
mk237 1638-1646 Oil on canvas 64.5x53cm
Painting ID::  54762
VELAZQUEZ, Diego Rodriguez de Silva y
Abaka
mk237 1638-1646 Oil on canvas 64.5x53cm
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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